Whether you are an artist or songwriter if you are reading this, you have probably been working towards a very pointed and exact target: Christian music. So when we work on our music we tend to write specifically in this genre. We work very hard to follow the rules, to write what we have heard, and to do it very well. The problem is that we sometimes write a very similar message and style over and over again. Perhaps the problem is not what we are trying to do, maybe it’s that we are aiming for too small of a target.
What I mean by this is that we write for the very tiny, tiny genre of contemporary Christian music, or gospel music and maybe we are painting ourselves, our music, and even our ministries into a box. Maybe we are not using our full skill set and growing to the best of our abilities because we are trying to write only for the small target of what is or would be popular in the Christian market.
The Fallacy of Christian Radio
Despite the fact that Christian radio is very hard to compete in anyway, most Christian songwriters and artists think that this is the pantheon of success. And so they write songs to compete with the other worship and Christian pop songs that are on the charts right now. The funny thing is not many people can or will work towards the quality it takes for radio. More so, they don’t write the kinds of songs Christian radio is even looking for.
The other big problem with Christian radio is that it really doesn’t reach the lost – only the believers. So is your goal just to write songs that will be enjoyed by other believers? I mean there’s nothing wrong with that I guess. But again, it’s a very small market. Can you do more?
Are You Really Going to Tour?
For years we have operated with every artist that they can tour to reach the lost, and to sell CDs and make back their album budget.
The truth is that it’s very hard to book yourself into events, especially if you are not doing it full time. So the act of contacting churches (which really don’t need more music) is quite mystifying and downright scary.
The Scary Low Digital Return
Anyone who has released music to digital sources like CDBaby, Spotify, and iTunes can tell you, you won’t be making rent payments with that money. Sure these numbers change when you have major radio play and touring, but as we outlined above that’s just not in the cards for most.
So what do we do? Maybe it’s time to consider some new options, and it might be time to make our music more accessible. I’m not saying lose your faith folks, but I am saying we need to be smarter on what we are writing, who our audience is, and our real goals of reaching the world.
The Dreaded Crossover
If you remember back in the 90s it was the time with Amy Grant and Michael W Smith were crossing over into pop (some would say secular) music. At the time, there were detractors and supporters on both sides. But no one can argue that Amy Grant widened her audience.
After all, reaching the lost is really our main mandate. The Great Commission does not say go where Christians are and play music that they will be comfortable with. So maybe writing some of our music that can be played outside the church isn’t such a bad idea.
Now, secular radio is even harder than Christian to try and get traction, but I’m not talking about radio necessarily.
The Hard Share
How many times have you wished you could share your music with your friends only to realize if you did it would be a hard conversation or perhaps uncomfortable situation you were not ready for. I’m not saying God did not call us to have hard conversations, but sharing with people at work, or family, or strangers is very difficult when you don’t know their where they stand as a believer.
Writing something and creating something that is more than just Christianese gives you the ability to reach a much wider audience with your message. Sometimes that can mean we have to be a little stealthy. But that allows us to get in doors that we could never get in with our normal message, which can sometimes offend ears that aren’t ready to hear it.
Reaching a Bigger Audience (And a Bigger Return)
Another area that is hard to get into and reach for Christian artists is the world of the film, TV, commercials, etc. Since most of this business is done in Los Angeles, it’s a hard sell to get a Christian song or even a song by a blatant Christian artist through the process that will get their music into a project. This is another reason to think outside the box when you are writing your songs.
This is another reason to think of a new way to say a message of faith, or love. Maybe a way that could be construed by a Christian audience as Christian, or by secular audience as just more positive faith and love.
Now I understand many of you may see this as being disingenuous, or even a cop out. But if the point is to make this a career (read: make income) and to really reach the world for God, then maybe we have to open up our box just a little bit.
Maybe your next song you can use ‘you’ instead of ‘Jesus’. Give the song a chance to reach a wider target of listeners. Believe me, God will not get His feelings hurt if you don’t use His exact name in all songs (besides those are our words not His.)
Just some food for thought. Would love to hear your comments below.
Have a great week!
EC
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Eric Copeland is president of Creative Soul, a company that helps Christian artists and songwriters move to the next level in their careers. For more information on how to get started with us, click here.
Showing posts with label success. Show all posts
Showing posts with label success. Show all posts
Sunday, June 25, 2017
Sunday, September 06, 2015
Online Music Success
“Get yourself ready! Stand up and say to them
whatever I command you. Do not be terrified by them, or I will terrify you
before them.” – Jeremiah 1:17 (NIV)
Gird up your loins people! This is important stuff for those
of you who are serious and want to do this music thing a long time.
Many people ask me when we near the completion of their
music project, “Okay, what do we do now? How do we get this music online?”
This is a good question, and usually it means starting with
a web site, getting the music to the online sales portals, and online
promotion.
The problem is, just because we can build it (pretty easily
in fact) it does NOT mean they will come. In fact, online activity is very
difficult to master and profit from. Yet I will still lay it out in this post
for you to read, shake your head that you don’t think you could ever really do
these things, and curse me in vain. (Note: if you feel this way please do not
comment below. ;)
I will also reveal the real reason you need to do this, and
it’s not just about making money.
Monday, July 27, 2015
Living the Dream
“All men dream, but
not equally. Those who dream by night in the dusty recesses of their minds,
wake in the day to find that it was vanity: but the dreamers of the day are
dangerous men, for they may act on their dreams with open eyes, to make them
possible.” – T. E. Lawrence
As a music producer and helper to Christian music artists,
one of my great joys is seeing artists get to where they want to be as working ministries.
Yes creating amazing music is much of what we do for Christian artists, but the
recording is only the beginning.
In every first meeting with artists, we ask a question: What
are your goals as an artist? How would you qualify success in your wildest
dreams?
This is not at all an easy question to answer. But after
getting past dreams of fame, fortune, and quitting their job to pursue music
full-time, we get to the crux of the answer: the goal is to get in front of audiences
and make a difference for Christ.
Monday, March 16, 2015
Get Real!
“Face reality as it
is, not as it was or as you wish it to be.” - Jack Welch
Hoping someone magically hears your song and wants to publish it?
It's time for you to GET REAL!!
One thing that continues to amaze me in this day and age
where there is so much information available to folks online is how everyone is
still looking for "get there quick" schemes in their music careers.
We have kids coming out of high school enrolling in
recording programs expecting to become world famous recording engineers.
Artists email me daily wondering where they can get a record deal, as if they
are doled out in the same way someone gives you a Facebook “like”.
Songwriters email me songs, or sometimes just lyrics asking
if I will publish them. Like there is a machine here in Nashville where we just
feed it in and it comes out stamped “Published!”
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